In our daily routines of driving the kids to school, having a latte at a café, absent-mindedly kissing our spouses goodbye as we go to work, and sautéing our brazed mushrooms or whatever the fad is in haute cuisine, when we the last time any of us ever did anything really animalistic? Maybe we yelled at someone in mini-road rage, feeling a fit of pique that in modern society – rightly or wrongly – has nowhere to go.
There’s an animal side to us that we don’t use these days. It’s perhaps less animal than it is a hard-edged set of emotions that if we acted on them would trample over others and get us incarcerated.
I saw a dance show at a Brazilian restaurant last month. The dance was presented as the idea of Brazil in all its advertised forms, and the main theme to come out was Brazil’s traditional connection to our wilder, unhinged selves. The women and men got lost into each other in a whirling passion. They were still connected to the old times when human beings had to hunt and kill to live, they lived out their wildest fantasies in which sex and anger all rolled into who we were and all that mattered was this moment, because survival was something that was won moment by moment and could not be planned for.
Now almost all of us survive by default. Our bank savings or government pensions insure against our bleakest despairs. The question is whether we need to experience those roller-coaster highs and lows to maximise life. Is there greater beauty in the more extreme states of being alive?
There probably is, but then, some people bounce back from despair better than others. Some rise up to later feel the highs, but some people just get mired. They cannot escape from depression, or some cannot feel a true connection with anyone no matter how many people enter into their lives. So for these people perhaps the low-key, middle path is the best emotional way.
There was a profile written about the singer Nina Simone by Brian Phillips. He talked about how in Simone’s voice you could perceive the loss and terrible difficulty that 21st Century society has taken large steps to forget about.
“The art of historical winners tends to grow thin over time. So many white male American novelists of the 20th century curdle after the war years, when they start to fetishize pretty imagery and lose their fear of any fate worse than humiliation or disappointment.
Think of the slightly forced obsession with sex in a lot of these writers. Doesn’t it often feel like an attempt to play up the one primal force with which privilege has left them in contact? No hunger anymore, no death, no real threat. But at least we can fashion a nihilism out of this.”
I guess in the worst of times, unlike our ancestors at least we’re not horrifically digested by savage carnivores. Our problems, like our feelings, are slower-burning but last longer.